Intersections at The Seattle School
Vinegar, Oil, and the Soul of Solitude
“Wrong solitude vinegars the soul, right solitude oils it.” – Jane Hirshfield When we think of the tools of an artist, we may visualize tangible elements of the worktable: brushes, typewriters, endless spools of thread and paper and canvas. However, the intangible means nearly every artist, theologian, and thinker employs is something we both crave […]
Silent Night: A Place of Refuge
“Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people.”—Luke 2:10 That original “Silent Night” celebrated in song was not easy to secure. The Holy Mother was a pregnant teen on the move. Mary and Joseph had to deal with an oppressive, occupying government. They crossed canyons […]
A Light that Overwhelms the Dawn
Artist Statement Before the birth of Christ, the world waited and hoped in deep anguish for the fulfillment of their Messianic expectations. This song shows that even today, we are not yet done with our waiting. As individuals and as a world today – whether we are aware of this or not – we continue […]
Ruach
Artist Statement There is always a dry season, a waiting season. In calling out to God to be refreshed, willing these words to seep into my bones, Elohim blew, flowed… gentle and powerful. Rûach (רוּחַ) has the meanings “wind, spirit, breath,” and elohim can mean “great” as well as “god”. In Genesis 1:2, the ruach […]
Of Stellar Proportions
Let me tell you how stars are born. A ripple perturbs the cloudy deep of a nebula, and gathers its dust into dense thickets. The gravity of matter binds one of these clusters together and it attracts more dust and gas, until its own immensity compels it to burn. A proto-star is formed—a newborn. Yet […]
Go Tell it On the Mountain
Artist Statement This song was born in the oral culture of African slaves in the American south, and was embraced by the civil rights movement in the 1960’s. It was originally written by African American composer, John Wesley Work. Go Tell It on the Mountain has come to mean many things depending on the time […]
Intentionality of a Cargo Ship
My paternal grandfather was a great man. He was a flawed man, of course, but he was great. Broad-shouldered. Brown-skinned. Staunch-faced, yet quick to grin. He loved strong. Faithed-wide. One of the things he was, was a longshoreman. A few weeks ago, I attended a play with some friends. It took place in the old […]
Rehearsing the Stories and Songs of Exile
The Advent season begins four Sundays before Christmas day and serves to help shift our focus and expectations towards the coming of the Christ. Overstimulated and distracted, many of us come into the season weary and in need of a space of preparation. Advent, the shared practice of exploring the themes of hope, peace, joy, […]
Rhythm of Expectation
Each human soul, entering into the beat of the longing, joins the rhythm of expectation and waiting. We yearn. We wait. We weep.
Leveling the Field
Artist Statement To hold hope for all us people wandering, stumbling and fumbling towards home, I have to believe that Love is all that matters in the end. No human being will ever be fully conscious of all the ways he or she misses the point of this life. There are always blind spots in […]
We Are Worldless Without One Another: An Interview with Judith Butler
In this interview with Judith Butler, her work is considered in light of the recent events at Standing Rock and the 2016 presidential election. Housed within The Seattle School of Theology & Psychology, The Other Journal is a bi-annual print and digital journal that aims to create space for Christian interdisciplinary reflection, exploration, and expression at the intersection of theology and culture. This article was originally published on The Other Journal.
Holy Anger
This fall, I began my fourth of six semesters at The Seattle School and simultaneously found that many expectations of where I’d be at this point in my life were fully falling apart. A year ago, I’d left behind a community of warmth, color, sunshine, and acceptance for a place that often felt ambivalent towards a brown (stranger) surrounded by mostly white (people) and gray (skies).